Novels Now

From the Publisher:

Everyone Anton Waker grew up with is corrupt. His parents deal in stolen goods and his first career is a partnership venture with his cousin Aria selling forged passports and social security cards to illegal aliens. Anton longs for a less questionable way of living in the world and by his late twenties has reinvented himself as a successful middle manager. Then a routine security check suggests that things are not quite what they appear. And Aria begins blackmailing him to do one last job for her. But the seemingly simple job proves to have profound and unexpected repercussions.

As Anton’s carefully constructed life begins to disintegrate around him, he’s forced to choose between loyalty to his family and his desires for a different kind of life. When everyone is willing to use someone else to escape the past, it is up to Anton, on the island of Ischia, to face the ghosts that travel close behind him.

I first was introduced to Emily St. John Mandel’s writing in Last Night in Montreal, which nearly knocked my socks off. The writing was superb and the story was intriguing. Even so, I was not sure what to expect with her latest, The Singer’s Gun. I was eager to give it a try though. Like with her first book, I hesitate to describe it (which is why you are presented with the publisher blurb above). There is so much to The Singer’s Gun. On the surface it sounds like a crime fiction novel, but it really is more about the characters: about Anton Waker in particular, and his struggle to lead a law abiding life and also about Elena who is also struggling to form her own identity and live life as she desires.

I was struck by how similar Elena and Anton are and yet also how different. Both want different lives than they are born into. Both are going through the motions of life. Anton comes close to realizing his dream, only to have it disintegrate. Elena, in her effort to be free of normalcy and routine, ended up doing exactly what she didn’t want to do in the first place; at least, until her own life, based in falsehood, was uprooted too.

Aria’s appearance in the novel was sparse, but the reader gets a good idea of her background and importance in Anton’s life. She is resourceful and clever. She is also greedy. I felt sorry for the young Aria, but even then there was something about her that warned me to keep my distance.

The story is revealed to the reader layer by layer, and not necessarily in chronological order. The novel opens as Alex Broden with the State Department’s Security Service is in the middle of her investigation, searching for Anton Waker who has disappeared. From there we go back in time to the day Anton arrives at his office only to discover his secretary , Elena, has been reassigned and he no longer has any responsibilities. He suspects something is up, something related to a recent background check, but he isn’t quite sure. And no one around him will give him any answers.

The novel raises questions about personal responsibility, about how one’s upbringing influences the direction our lives take, and about the choices we make in life and the consequences that follow. It also touches on morality, both in its clarity as well as how ambiguous it can be. Nothing is quite as it seems.

Like with The Last Night in Montreal, the author caught me in her spell with her subtle style and simple yet lyrical prose in The Singer’s Gun. I still find myself thinking about the book days later, wondering about the characters and where they might be now.

Rating: (Very Good)

Be sure to check out this excerpt from the book on the author’s website and learn more about the author and her books on her website.

Source: Review book provided by the publisher.