Novels Now

The children mingled with the adults, and spoke and were spoken to. Children in these families, at the end of the nineteenth century, were different from children before or after. They were neither dolls nor miniature adults. They were not hidden away in nurseries, but present at family meals, where their developing characters were taken seriously and rationally discussed, over supper or during long country walks. And yet, at the same time, the children in this world had their own separate, largely independent lives, as children. – from The Children’s Book, page 31 -

The Children’s Book by A.S. Byatt is a huge, sprawling multi-family saga set in Britain at the end of the nineteenth century and into the early twentieth century. Olive Wellwood, a children’s author, lives with her husband Humphrey and their seven children (ages zero to 13 years) at Todefright – a huge mansion whose grounds edge the forest. Olive writes each child their own story – fairy tales which have no end.

They were like segmented worms, with hooks and eyes to fit onto the next moving and coiling section. Every closure of plot had to contain a new beginning. There were tributary plots, that joined the mainstream again, further on, further in. Olive plundered the children’s stories sometimes, for publishable situations, or people, or settings, but everyone understood that the magic persisted because it was hidden, because it was a shared secret. – from The Children’s Book, page 89 -

The stories Olive writes parallel reality. The secrets she alludes to also exist outside of the books, lurking in the dark corners of Todefright waiting to be discovered.

There are several other families which comprise Byatt’s ambitious novel. Benedict Fludd, a barely sane potter, hides his perverse fantasies about his two daughters, while Fludd’s wife escapes reality by sinking into a drug induced state of complacency. Humphrey’s brother Basil and German wife Katharina are raising the beautiful Griselda and rebel Charles (ages 11 and 14). Prosper Cain, a museum owner and widow, also has two children – the independent minded Julian (age 15) and conflicted Florence (age 12). Finally, there is Phillip who is found wandering in the basement of Cain’s museum and is taken in by Benedict Fludd when he realizes that Phillip is a budding artist (later, Phillip’s sister Elsie joins the cast).

Despite the sheer number of characters introduced, Byatt does an admirable job at developing them – giving them distinct personalities, strengths and weaknesses. I did stop reading early on in order to create a character chart, but found that by the time I got 100 pages into the novel, I no longer needed to refer to it. Later I found this terrific list of characters on Wikipedia.

Byatt uses the historical and political backdrop of the Women’s Suffrage movement in England, Socialism and the inside workings of the Fabian Society, and the build up to WWI to frame her novel which begins in 1895 and ends just after WWI in 1919. Byatt skillfully shows the transition from the Victorian Age to the Edwardian age.

It was a new time, not a young time. Skittishly, it cast off the moral anguish and human responsibility of the Victorian sages Lytton Strachey was preparing to mock. The rich acquired motor cars and telephones, chauffeurs and switchboard operators. The poor were a menacing phantom, to be helped charitably, or exterminated expeditiously. The sun shone, the summers broiled and were brilliant. The land, in places, was running with honey, cream, fruit fools, beer, champagne. – from The Children’s Book, page 431 -

During this time, the reader follows the lives of the children as they grow into young adults, make mistakes, search for their identities, go off to fight in the trenches, and begin their own families. Olive’s eldest children (Tom and Dorothy) take center stage as characters from the Wellwood family. Tom is Olive’s favorite child and is stuck in Olive’s fantastical world of boys without shadows and underground tunnels – he roves the woods and lives in a dreamworld. Dorothy wishes to be someone more than someone’s wife and sets her sights on becoming a doctor. One of my favorite Wellwood characters is Hedda, whose spunk and determination eventually leads her to becoming a Suffragette. The reader also comes to know Julian Cain well…a boy who early on recognizes he prefers the company of men to that of women and is not afraid to acknowledge his sexuality. I especially felt myself drawn to Imogen – the eldest Fludd daughter – who manages to escape her wretched father and make a life for herself.

At the turn of the century, the young were about to be adults, or some of them were, and the elders looked at the young, with their fresh skins and new graces and awkwardnesses with a mixture of tenderness, fear and desire. The young desired to be free of the adults, and at the same time were prepared to resent any hint that the adults might desire to be free of them. – from The Children’s Book, page 252 -

Interspersed throughout the novel are snatches of Olives stories which provide insight into the background of the characters…and the secrets. It seems every character has a secret: infidelity, sexual identity, incest, and political aspirations. As each secret is uncovered, another aspect of the characters is revealed – a bit like peeling off the layers of an onion.

In case you have not already figured it out, I loved this book. I loved its density. I loved the character development. I loved Byatt’s gorgeous use of language and the care she took in getting the historical details correct. I especially enjoyed the fairy tales and the theme of not growing up which weaves through the story (Byatt references Peter Pan in this novel and the idea of staying child-like forever is played out in the book). I found the historical background on the Women’s Suffrage movement in England to be fascinating…and yes, Byatt’s female characters are immersed in the drama and conflict of that time.

“It is a terrible thing to be a woman. You are told people like to look at you – as though you have a duty to be the object of … the object of … And then, afterwards, if you are rejected, if what you … thought you were worth …is after all not wanted … you are nothing.” – from The Children’s Book, page 357 -

They were troubled, as intelligent girls at the time were troubled, by the question of whether their need for knowledge and work in the world would in some sense denature them. Women worked, they knew, as milliners and typewriters, housekeepers and skivvies. They worked because they had no means, or were not pretty or rich enough to attract a man. - from The Children’s Book, page 358 -

This novel is so intricate and far-reaching, it is hard to do it justice in a review. This was my first experience with Byatt’s writing and it has made me eager to read more of her work. But, if you just read one novel this year, let it be The Children’s Book…a wholly satisfying and enjoyable read from start to finish.

Highly recommended.

Thomas Cromwell is now a little over forty years old. he is a man of strong build, not tall. Various expressions are available to his face, and one is readable: an expression of stifled amusement. His hair is dark, heavy and waving, and his small eyes, which are of very strong sight, light up in conversation: so the Spanish ambassador will tell us, quite soon. It is said he knows by heart the entire New Testament in Latin, and so as a servant of the cardinal is apt – ready with a text if abbots flounder. His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop’s palace or inn yard. he can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything. - from Wolf Hall, page 25 -

Hilary Mantel’s sprawling, Booker Prize winning novel Wolf Hall is set in England during the sixteenth century. Narrated by Thomas Cromwell, it is an intimate look into the life of King Henry VIII and the cast of historical figures who surrounded him. More importantly, it is an examination of the clash between the Roman Catholic Church and the royalty – a battle of wills and politics that turned deadly for many as King Henry sought to divorce Catherine of Aragon (who could not give him a male heir) and marry Anne Boleyn.

Since Christ did not induce his followers into earthly power, how can it be maintained that the princes of today derive their power from the Pope? In fact, all priests are subjects, as Christ left them. It is for the prince to govern the bodies of his citizens, to say who is married and who can marry, who is bastard and who legitimate. – from Wolf Hall, page 435 -

This tumultuous time in history was defined by the struggle between Catholic power and Protestant will; a time when players could change sides in an instant and the charge of treason meant certain death. The Protestant Reformation, headed by Martin Luther, plays a large part in Wolf Hall and leaves one to wonder which side Cromwell was really on. It is a complex and complicated history into which Mantel drops her characters. Readers who lack adequate knowledge about English history in the 1500’s  may find themselves lost in a sea of details and characters (many who share the same first name); and find themselves struggling to get through this densely written tome.

Mantel writes her novel in the present tense – an interesting choice for historical fiction, but one which I think worked to her advantage. She also picks the perfect protagonist to drive her story. Cromwell is an interesting historical character. In Mantel’s book, he is richly imagined…a man who is is able to sidle up to the King of England and play one man against another in order to ensure his place in history, while at the same time is a loving family man who grieves so much for his wife and two young children (who die from illness), that he never re-married. The stark contrast between empathetic father and manipulative, driven lawyer helps define the internal conflict of the novel.

It’s beautiful, he says, not wanting to spoil his pleasure. But next time, he thinks, take me with you. His hand skims the surface, rich and soft. The flaw in the weave hardly matters. A turkey carpet is not an oath. There are some people in this world who like everything squared up and precise, and there are those who will allow some drift at the margins. He is both these kinds of person. He would not allow, for example, a careless ambiguity in a lease, but instinct tells him that sometimes a contract need not be drawn too tight. – from Wolf Hall, page 187 -

But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man’s power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires. – from Wolf Hall, page 294 -

Another strength of Wolf Hall was Mantel’s sardonic sense of humor which comes through in pithy dialogue between the characters. Cromwell’s observations of Anne are priceless…and Mantel reveals the ridiculousness of some of the royalty, as well as the Church.

Despite this and her excellent characterization, Mantel chooses to use an ambiguous pronoun. Her use of “he” (to identify the narrator) instead of “I” consistently confused me. I often found myself going back to re-read a passage in order to understand who was now speaking or acting. Often the “he” in the sentence did not match the subject which made it all the more confusing. Mantel’s disregard for this grammatical “rule” took away from the story for me. I found myself often setting the book aside in frustration. I could not completely immerse myself in Cromwell’s complex world. I felt as though I were reading a book, rather than falling into a story.

I wanted to love this book. Passages where Mantel let her gifts as a writer shine, left me feeling that this book should have read better. I should have flown through it in record time, exclaiming at the scope of what I had read. Instead, I found myself relieved to have finally finished the book after nearly three weeks of slogging through its pages.

Many readers are raving about Wolf Hall…I suspect most of them had a good understanding of English medieval history and so could sort through the ambiguity of Mantel’s prose. Sadly, I am not one of them. Although I admire Mantel’s writing ability, I have to admit, I really did not enjoy this book. Mantel is apparently going to be publishing a sequel to Wolf Hall. I think I will skip it.

Some might like this book.

Oh, sweet, sweet Jesus, is this how it will be? Day after day after day, is this how it will be? Because if it is, then surely she will die here. There has not been a second when she has not been prodded by or spied on by somebody, starting from the moment they shook her awake that morning, and she had felt so sick and dizzy she could barely focus, her head filled with tumbling nightmares, and she had opened her eyes onto this fat bearded woman’s face, thrusting itself into hers, telling her to thank the Lord for bringing her safely through the night, and glory be to Him for this, her first day in Santa Caterina. – from Sacred Hearts, page 36 of the ARC -

Sixteenth century Italy was a time in history when young women found themselves being forced into convent life against their will. The price of wedding dowries was so high that Italian aristocratic families could choose only one daughter to be married off – any other daughters in the family were sent to convents where the cost to marry them to Christ was affordable. By the turn of the century (1600’s), the Roman Catholic Church pushed through a counter-reformation movement through cruelly restrictive measures instituted at the convents across Italy – including walling up windows, redesigning churches so that the nuns were hidden from the congregation, ending family visitations, and the confiscation of personal items such as furniture and books.

Sarah Dunant’s latest novel is set amid this tumultuous time and is a glimpse into convent life through the eyes of a sixteen year old girl and an older nun who has spent most of her life imprisoned behind the convent walls of Santa Caterina.

Suora Zuana is forced to become a nun when her father, a well-known doctor, dies. At the opening of Sacred Hearts, she has lived more than sixteen years beneath the veil and has established herself as the dispensary mistress. She is a good nun, but her heart belongs to the science of healing. Her joy is found within the infirmary walls where she researches the herbs and remedies from her father’s massive tomes, and brings healing to the sisters of the convent. So when Serafina, the teenage daughter of a wealthy Italian aristocrat, arrives at Santa Caterina screaming out her protests, Zuana empathizes with the girl and seeks to help her adjust to the isolated life of a nun.

Sacred Hearts is narrated from the alternating viewpoints of Zuana and Serafina. It explores convent politics, including the shifting balance of power…and examines the complex relationships between the sisters which include both trust and betrayal. Serafina’s high spirit and willful personality are challenged at every turn, especially when she hatches an escape plan to be reunited with her lover outside the walls of Santa Caterina.

Dunant brings to life the beauty and the horror of convent life in this historical novel.She examines the ambivalence which women felt when faced with the isolated existence of a spiritual life.

Oh, but there is beauty in here, too, Zuana thinks: the richness of the earth, the warmth of the bricks, the coolness of the stone. Beauty, space, and, once you stop wanting it to be different, peace, a relief from the madness outside. If someone were to open the doors now, what point would there be in walking out into the world? Where would she go? Who would she be? The house where a young woman called Faustina grew up is home to another family now, while the city that surrounds it is a maelstrom of people who neither know nor care about her. That infinitesimal space in the world that was once hers has long since disappeared – and to appreciate quiet one must accept less excitement. – from Sacred Hearts, page 223 of the ARC -

I found the contrast – as well as the similarities – of the main characters compelling and fascinating. Dunant’s decision to write her novel from the point of view of both a young girl entering the convent against her will, and that of an older nun who also rebelled at being forced into convent life, but now had come to accept it…creates the tension in the novel.

And yet, and yet…this young woman with her sense of fury and injustice has somehow infiltrated Zuana’s life. That Zuana likes her is undeniable, despite her spirit and her truculence – or perhaps because of them. No doubt she sees something of herself in her; the curiosity as well as the determination. And it is true that had she married, had she become a wife instead of a nun, her own child might indeed now be Serafina’s age. How would she feel about her then? It is a painful question. While Santa Caterina has been a good home to her, would she choose to give a daughter up to such a life? And if not, does that mean she is willing to risk bringing down the convent to help her? – from Sacred Hearts, page 340 of the ARC -

Although the first part of the book was a bit slow, it was necessary to introduce the characters who would later play a deciding role in the outcome. Once I reached the mid-way point of the novel, I found it impossible to put down. Dunant successfully ramps up the drama and conflict and ends her story with a bang.

I read this book for both the Women Unbound and The Social Justice challenges – and it was perfect for both. This is a book about women’s rights (or the lack of them) – women who had no power and whose lives were carved out by their fathers. Women in the sixteenth century were bought and sold by men and rarely had a say in their futures. It is also a novel which touches on religious freedom. Women forced into convent life were expected to accept their fate and devote their lives to God – they became brides of Christ and had to give up any dreams of children or a mortal husband. Girls like Serafina had no religious freedom – and if they protested or attempted escape, the consequences were often dire.

Readers who are interested in historical fiction which center around women’s rights and freedoms, will find Sacred Hearts a fascinating read. Full of beautiful imagery, drama and church politics, this is a novel I can recommend.

Kinky thought it was interesting how different parts of the country had their own lore. Where she came from, some people believed that if a man didn’t shave on a Sunday he’d never get a toothache, but if you had a toothache or a gumboil, then carrying the two jawbones of a haddock in your pocket was a sure cure. Out on the west coast, they swore you should never ask a question of a dog, for it it gives you an answer you will surely die. - from An Irish Country Girl, page 64 -

Kinky Kincaid has lived in the northern Irish village of Ballybucklebo for more than 40 years, working as a housekeeper for two harried doctors. Readers of Patrick Taylor’s Irish Country series know little about her childhood and where she grew up … until now. Kinky reminisces about when she was a young girl named Maureen O’Hanlon – first telling the neighborhood children about the Saint Stephen’s Day ghost’s initial appearance in the southern county of Cork; and later (as she makes Christmas dinner for the doctors) Kinky recalls her memories of the years growing up from a child into womanhood in that same county.

An Irish Country Girl is not just a coming of age story, but a look deep beneath the lore and magic of Ireland. The novel centers around the belief in fairies, spirits and the mystical Banshee whose eerie wail on a snowy night foretells of a death. Blessed with “the sight” (passed down from her mother), the young Maureen wants to understand her future. She is a dreamer, a determined girl who wants an education to become a teacher as well as a romantic match with the man she grows to love.

Patrick Taylor brings to life a small farming community and its eccentric people, and reveals the life of a young girl growing up in the 1920s in Ireland. Readers unable to stretch their imaginations may find it difficult to fully immerse themselves in this realm of magical realism. But, I found the novel a fun and entertaining read. Taylor’s narrative strength is in telling the story through his characters’ eyes. At times I felt as though I was sitting rapt in front of a gifted Irish storyteller, waiting for the expected ending to a tale of intrigue.

Taylor has written a light, engrossing novel about storytellers, magic, and Irish lore. He describes the Irish countryside with  its rolling green hills and dales, its flocks of sheep, and the unexpected and sudden shifts in weather; then inserts his quirky characters and the “little people” who populate the spaces beneath the blackthorn trees, thereby creating a story which entertains and delights the imagination.

If you have not yet read Taylor’s previous books in the series, no worries. This novel can stand on its own. Taylor even includes a helpful glossary of Irish terms and phrases, as well as some of Kinky Kincaid’s fabulous recipes at the end of the book.

Recommended to those readers interested in Irish lore and magic, as well as readers who enjoy novels of small town life.

California was infinitely far away. California was gone. Even her dreams were shaped by this land – rice paddies stretched flat to the horizon, mountains and jungles, fields of green rice shoots and golden rice harvests like rippling fields of wheat, lead curtains of monsoon rain, bald gaunt hides of water buffalo, and, too, Saigon’s clotted alleyways, the destroyed tree-lined avenues, the bombed-out, flaking, pastel villas, even their small crooked apartment with the peacocks and Buddhas painted on the door. The battered, loving, treacherous people. Her heart’s center, Linh. An undeniable rightness in ending here. - from the ARC of The Lotus Eaters, page 30 -

Helen Adams is an American photojournalist who arrives in Vietnam in 1967 as a scared, inexperienced freelance photographer. A woman reporter in Vietnam is not met with enthusiasm, especially from the men who make up the news corp and the soldiers in the field. Helen is expected to cover the human interest aspects of the Vietnam War, but instead she connects with Sam Darrow – a veteran reporter with a Pulitzer prize under his belt – and convinces him to take her into the field. She continues to position herself for combat coverage even when Darrow no longer seems willing to help her. Eventually, Helen overcomes the doubts of others and secures her place among the men…but there is a price to pay which Helen never anticipated.

The Lotus Eaters is part action-thriller, and part love story as Helen finds herself torn between two men – Sam Darrow (who is most at home in the middle of a war), and Linh (a Vietnamese poet who mourns the loss of his country). It is also a story about identity and love of country, about the horror of war and about what makes us human.

The novel begins in 1975 in Saigon as frightened South Vietnamese citizens and Americans attempt to flee the city in front of the North Vietnamese takeover. Fast-paced, tense and graphic…the first forty pages had me glued to my seat. Soli takes no time to develop a sense of place and history with her characters driving the narrative. I was immediately hooked, and I wanted some back story on Helen and Linh. Soli did not disappoint. She sets the stage, then takes the reader back to the mid-sixties when Helen first arrives in Vietnam. From there, the story moves forward.

Soli writes with authority and takes the reader inside the minds and hearts of her tightly drawn characters. The war scenes, including devastated villages and patrols through the jungle, capture the emotion of war. But, what is remarkable about Soli’s writing in The Lotus Eaters is not the story of war but the story of a country and its people, and the definition of “home.” Despite the burned out fields, Soli manages to also capture the beauty of Vietnam as Helen grows to love the country.

This is what happened when one left one’s home – pieces of oneself scattered all over the world, no one place ever completely satisfied, always a nostalgia for the place left behind. – from the ARC of The Lotus Eaters, page 277 -

This is a mesmerizing novel on all levels. The Lotus Eaters is haunting, evocative and marvelously written. Helen’s growth as a character found me empathizing with her and fearing for her safety. But it was the character of Linh who really captured my heart – a man who loses family and country, and yet still finds the poetry in life.

In case you have not yet figured it out, this is a novel which I can highly recommend…especially for readers interested in the Vietnam War era. Unlike many novels which cover this unpopular war, Soli focuses not on the politics, but on the people most impacted…and it is that which makes The Lotus Eaters unique.

Read a guest post by the author.

Exiles from the War: The War Guests Diary of Charlotte Mary Twiss, Guelph, Ontario, 1940 by Jean Little
Dear Canada series

Pages: 243 pages
Ages: 8+
First Published: Jan. 2010 (Canada only)
Publisher: Scholastic Canada Ltd.
Rating: 5/5

First sentence:

George phoned me long distance at six o’clock this morning to wish me happy birthday.

Reason for Reading: I am in the process of reading the whole series. I am particularly fond of WWII stories and this one takes place near where I grew up, Fergus, ON and we went to Guelph many, many times.

Comments: As per all books in the Dear Canada series, this is written as a series of diary entries that cover the span of one year. Charlotte receives the diary for her twelfth birthday and the book finishes a few days after her thirteenth birthday. The book focuses on a family and their close neighbour who both receive War Guests from England. A brother and sister who have been evacuated from London and sent to live in Canada for the duration of the War. When the family picks them up from Toronto they are sent off by two other children they sailed over with a little 5yo girl and a much older teen boy.

Through Charlotte’s eyes we experience life on the homefront for a family who has a son in the army and a Jewish family who worries about what is happening to their relatives in Europe. Many horrible things are reported in the papers and on the radio that terrify Charlotte but some things she cannot comprehend and her father explains many things to her but when it comes to her questions about the Jews he is unable to give her answer telling she must wait till she is older, his reason being that he himself is unable to explain the inhumanity of the Nazi’s hate.

Through Charlotte’s eyes we see the adjustments the children from England must make in their new homes. The terror and shock they have experience from the bombings and air raid alarms, their worry for their parents and the gradual settling in with a new family who has foreign ways but treats them lovingly and as a member of their own family. We also get to see the flip side of other War Guest children when they meet the little five year old girl in town and see she is being neglected (by her own aunt at that) and how the boy receives regular letters from the older boy he met on ship telling him how much he hates the family he is with, how he wants to runaway, go home and please may he come to visit him.

In this modest appearing book Jean Little manages to capture so many experiences from differing peoples that one gets a very diverse view of life both on the homefront and the life of a War Guest. She even manages to mention recurringly about the treatment of a German shopkeeper in town. I found the book to have covered all the issues I could think of and they came with the naivete of a child’s point of view and the innocence with which a child can blurt out the simple truths. The story is highly entertaining and informative. Things are not all war, war, war either; there are plenty of happy times and a wonderful first-hand glimpse into 1940s wartime life for children and in general is portrayed. Since I’ve lived in the area it was fun to hear mention of places I knew: my own Fergus a couple of times, the quarry and Belwood Lake to name a few dear to my heart.

I really enjoy the Dear Canada series, but of course the quality of each depends on the author and when Jean Little’s name is spied on the title page you just know you’ve got a winner in your hands. As usual the book ends with a chapter telling us what happened to the characters in the future, then an historical note that tells the real history behind the story and is finally followed by a section of related photographs. This book would make a great introduction to reading about the War as many feelings are dealt with but war details are not graphic. Highly recommended.

Stolen Child by Marsha Forchuk Skrypuch

Pages: 154 pages
Ages: 9+
First Published: Feb. 1, 2010 (Canada only)
Rating: 4/5

First sentence:

The woman who said she was my mother was so ill on the ship from Europe that she wore a sickness bag around her neck almost the whole time.

Reason for Reading: I enjoy historical fiction about WWII, especial from a child’s point of view.

Comments: This is an extremely compelling story about a subject which I know very little about: The Lebensborn Program. I knew such things were done but haven’t really read anything about it before. The story is of Nadia, who moves to Canada with a Ukranian man and woman who are not her parents after World War II. She must call them Mother and Father, though she knows they are not, but they are kind and loving. Nadia is in somewhat of a state of shock and really doesn’t remember any of her past but this book is a slow unraveling of her past as she starts to have flashes of memories from her past that are haunting and confusing, making her question whether she is a Nazi. Her new “parents” assure her she is not and encourage her to keep on remembering, which she does. At the same time, Nadia must also deal with fitting into her new country and its customs which, unfortunately, a couple of children at school make very difficult.

This is a bittersweet story that brings to life an aspect of the Nazi regime that is perhaps not so well known. While not as physically horrifying as other acts the Nazis perpetrated , it is an awful “experiment” that tore families apart, and ruined the lives of hundreds of thousands of children. The book is a compelling read, and coupled with its shortness is a fast read. The book’s brevity does not however affect the power of emotion contained within its pages nor the development of Nadia’s character. The reader connects with Nadia as a person and feels great anguish with her as she also learns who she is and what has happened to her.

The book ends with an Author’s Note which includes just enough historical background to place the story within context and to pique the reader’s interest in the subject. I will certainly look twice if I find another book that deals with the same topic. I had never heard of Skrypuch before but after a quick look I see she has written quite a number of historical fiction which all seem to centre around either one of the World Wars and be set in Eastern Europe. I would most definitely read other of her books. Recommended.

An Irish Country Girl by Patrick Taylor
Irish Country Doctor series, Book 4

Pages: 298 pages
First Published: January 5, 2010
Rating: 4/5

First sentence:

“Run along, make your calls, and enjoy His Lordship’s hooley,” said Mrs. Maureen Kincaid, “Kinky” to her friends, as she knelt in the hall and sponged Ribena black-currant cordial from a small boy’s tweed overcoat.

Reason for Reading: The Irish Country Doctor series has been on my tbr list for a while and when I had an offer to read this fourth book, which can also be read as a stand-alone, I jumped at the chance to get my feet wet with the series.

Summary: This fourth book in the series takes a different direction than the other books by centering on Maureen Kincaid, housekeeper/cook for two country doctors in the 1960s. The book actually takes place during a few hours near the end of Book Three while Maureen is at home preparing Christmas dinner and the doctors have gone out. During this time Mrs. Kincaid reflects back on her earlier life in the 1920s, specifically following the years she was fourteen to eighteen years-old. The book tells the story of Maureen’s biggest characteristic, being that she has “the sight” and how she first became that way, when she first saw the fey and had her first visions of the future. Her story also answers questions such as why she came to be called “Kinky”, how she became a Mrs., and how she finally ended up as the doctors’ housekeeper.

Comments: First, I’ll say the book was not what I had expected. Not having read any of the other books in the series I did not know Mrs. Kincaid had “the sight” making the story a lot more whimsical than just the cozy village story I had expected. I thoroughly enjoyed the book from start to finish and since this book is so different from the others, as a newcomer to the series the only character I had to get to know was Maureen herself. A wonderful story, with exceptional characters, that tells a tale full of romance and heartbreak, life and death, religion and folklore at a time when people spoke of God in the same breath as they warned away the spirits.

Maureen is a lovely, spirited girl with such a bittersweet story. I took to her right from the first page. Actually the rest of her family was just as real and enjoyable that they all felt like people I knew by the end of the book. I wonder if any of them ever came to visit or vice versa in the previous books or if they may pop up again in future books now that they have been introduced. I am now even more eager to get started reading the first book, meet the doctors and read the type of story I was more expecting in the first place but now I will have a familiar face to greet me when I open its pages. Charming tale for those who enjoy cozies, but also appreciate a good dose of Irish folklore.

Leaving Gee’s Bend by Irene Latham

Pages: 263
Ages: 8+
First Published: Jan. 7, 2010
Rating: 4/5

First sentence:

Mama pulled a chicken egg from behind the azalea bush in our front yard and narrowed her eyes.

Reason for Reading: I love books set in 1930s Southern USA.

Summary: Ludelphia Bennett is ten years old, her family is part of a sharecropping community. Ludelphia wears a patch over one eye as she accidentally went blind in it when a tiny sliver of wood flew into it when she was younger. She has a passion for quilting and is working on a special quilt now for her Mama that will tell Ludelphia’s story to her. Mama is ill with a terrible cough and large with a baby on the way but when Mama goes into labour early and the baby is born healthy after 3 previous stillborn, Mama’s health turns worse. She can hardly breathe and now she’s coughing up blood. Ludelphia decides she must do more for Mama and embarks on a 40 mile journey to get the nearest doctor and medicine to save Mama’s life. It’s a dangerous journey for one-eyed, ten year old Ludelphia, who has never been out of Gee’s Bend, and never seen a white person before but she takes her quilting with her to keep her hands busy and on the way comes across scraps of cloth to add to the quilt and her story.

Comments: This is a sweet, touching story. I fell in love with Ludelphia from the first page. She is a feisty girl, full of questions, not one to accept an answer without fully understanding and agreeing with it. She has a fine heart, loving all those around her and giving all the benefit of the doubt, she has a way with animals and is the only one who can get along with the stubborn mule they own. A very enjoyable character to read about.

The book takes the reader inside the daily life of a struggling sharecropper family during the depression. How the small rows of houses form a community and everyone looks after each other. They share the good times and they weather the strife and hardship together. I read this book quickly and really enjoyed it. It is a heart touching story and one roots for Ludelphia as she works her way through each challenge ultimately not only to save Mama but to save Gee’s Bend itself. The story presented here is fictional but the author has woven a real life event from Gee’s Bend’s history into the novel.

The only thing that I felt book needed was an illustration at the end of Ludelphia’s finished quilt. It’s making is so integral to the book’s plot, I felt a bit let down not being able to see the finished product and search within it for some of the pieces of cloth she found along the way.

Innocent War by Susan Violante
Nino Series No. 1

Pages: 183
First Published: Apr. 17, 2009
Rating: 3.5/5

First sentence:

“Nino, wake up! You’re going to be late,” hollered Papa from the hallway outside of my room.

Acquired: I received a review copy from the book’s publicist.

Reason for Reading: The plot and point of view intrigued me.

Summary: The author received five cassette tapes from her father recording his life story and she has started to turn them into a fictionalized biography of her father’s life with this first volume covering young Nino’s life from age 10 to 15, years 1940 to 1945. Nino is born in Italy but soon moves with his family to Tripoli in the Italian Colony of Libya. His father is a construction worker and the Italians in the Colony are indoctrinated by Mussolini via the radio and propaganda, children must attend weekly youth meetings. But these people are far removed from Europe, they have no proper understanding of the war, nor how it affects them until the day the radio announces that Italy is at war with France and Britain and simultaneously the town of Tripoli is attacked by French bombers, leaving dead, injured and rubble behind them. This then is the story of an Italian family living in Libya trying to survive in the war torn country told through the eyes of a child.

Comments: Before commenting on the story I must quickly say this first. The book is self-published (not necessarily a bad thing) but really needs editing. There are some typos, many awkward sentences and quite a number of grammatical errors, such as the one that annoyed me the most: the use of the word “on” instead of “in” throughout the book and quite often the reverse as well. ‘Nuff said.

The story itself was delightful. Nino and his mother Maria are wonderful, full characters with many layers. This is a very unusual point of view for a World War II story and I really appreciated experiencing it, especially knowing that it is based on fact. The Italians in Libya have no idea why they are suddenly being bombed, then the Italian and Nazi soldiers arrive. The Nazi’s immediately intimidate the people and Nino and his family watch in horror as Sarah, their Jewish babysitter’s, family is taken away in the night. Having made a prior promise to the mother, Sarah has become their cousin, Rita, from Naples as they keep her in their house. Told through a child’s eyes we see the horror, the hardships, the death of war but as a child we also see the adventures a boy can have, the escapades and ideas he comes up with that sometimes benefit the family and sometimes get him in trouble. He is an innocent child living the life he has been given and yet this is also a coming of age story as the boy becomes a man and can discern the truth behind what he sees. As a little boy he sees the Italian soldiers as heroes but when he sees up close and personal on a train how a soldier abuses a man, Nino knows he never wants to be a soldier.

A delightful read which can be harrowing and humourous, heart-wrenching and heart-warming.

Shadow of Colosus by T.L. Higley
A Seven Wonders Novel, Book 1

Pages: 386 pgs.
First Published: Aug. 1, 2008
Genre: historical fiction, romance, christian fiction
Rating: 4.5/5

First sentence:

Reason for Reading: I had been wanting to read it anyway. The Ancient Greece and Seven Wonders angle appealed to me.

Summary: Set in 227 BC on the Greek island of Rhodes, Tesa was sold into bondage by her mother ten years ago and has been a courtesan ever since. She holds quite a high position in society as the hetaera of a wealthy politician, but still she must meet his every need in the privacy of his home. When her patrician is accidentally killed Tesa comes up with a plan to finally escape this island and its bondage but at this time she also meets a young man different than all the other men whom she has grown cold towards, this man actually seems to care. And all the while brewing deep beneath the earth the tectonic plates are coming together in what will be an immense earthquake that will destroy not only the Greek town and Jew village but also bring the Colossus statue of Helios to it’s knees.

Comment: I enjoyed this a lot more than I thought I would. I have to say I wasn’t particularly in an Ancient history mood when I sat down to read it but the book grabbed me from the first chapter onwards. Tesa is a strong character caught in an ugly life of slavery and prostitution from which she is determined to free herself. Though to have survived so long in this lifestyle she has set aside her joy for life and become a cold, unfeeling person, impossible to reach. When she finds love it is extremely hard for her to set aside the control she has placed on her feelings for so long.

The book has an exciting political plot, with people plotting behind one another’s backs to become the most powerful one. With three deaths and a near mass murder, one cannot help but be carried away by the fast-paced, exciting plot. Part love story, part political thriller and part examination of the Old Testament Jewish faith this engaging read was a page-turner for me.

From a Christian publisher I feel the label “Christian fiction” is a bit of a misnomer as the story takes place 227 years before Christ. Yet one can’t quite call it “Biblical fiction” as the events are fictional, not from the Bible. I’m more apt to call this simply “historical fiction” or “historical romance” that mainstream readers would most likely enjoy. There are Jewish characters who believe in God and they introduce Him to a couple of Greek characters. There is one sentence near the end of the book where a Jewish character mentions the coming, one day, of a Messiah. I’d recommend to anyone, regardless of creed, who is interested in the time period. I’m looking forward to reading other books in this series.

A Separate Country
By Robert Hicks
Completed December 6, 2009

In A Separate Country, Robert Hicks draws upon one of the Confederacy’s most colorful generals, John Bell Hood, to tell a story of love, redemption and life in post-Reconstruction New Orleans.

After the war, John Bell Hood came to New Orleans a shredded man. Physically scarred with a useless arm and missing leg, Hood’s mental state was equally fragmented, regretting his decisions made during the Tennessee campaign that killed so many soldiers. He marries a New Orleans debutante, Anna Maria, and started their life together, which consisted of 11 children, two bankrupt businesses and the threat of yellow fever. In the end, “yellow jack” was the demise for Hood, his wife and their oldest child, Lydia.

While on his deathbed, Hood asked his friend, Eli Griffin, to take his secret manuscript to his former protege, a known murderer named Sebastian Lemerle. Sebastian served with Hood before the Civil War, and Hood felt guilty for transforming Sebastian into a murderer. If Sebastian felt comfortable with this version of Hood’s life - of a man lost, vulnerable and almost cowardly - then Hood knew he could be redeemed for his sins. It was Hood’s wish that his personal memoirs - not his military one - be published. Compounding matters was Eli’s discovery that Anna Marie also wrote a journal. In possession of both memoirs, Eli was determined to preserve this side of the infamous general’s life, even though Eli knew finding Sebastian could jeopardize his life.

Hicks’s depiction of New Orleans brought the sights, smells and sounds of this city to life. Mix in a thieving dwarf, hulk-size priest, Irish prostitute, and piano-playing octoroon, and A Separate Country depicts New Orlean’s rich and historic melting pot. At times, Hicks lumbered over his descriptions, but he never strayed from his cause: bringing a greater understanding to the life of John Bell Hood and the city that he eventually called home. ( )

So Brave, Young and Handsome
By Leif Enger
Completed November 8, 2009

Leif Enger’s So Brave, Young and Handsome, like its predessor Peace Like A River, was one of those thoughtful books – full of interesting characters, beautiful prose, and journeys both physical and emotional. Like a river, the plot flowed steadily – sometimes tumbling forth in a rapid, while other times, still and unbroken. Enger must be a poet at heart.

Monte Becket enjoyed rapid success with his dime-store novel, but after six years, could not pen another book. His family befriended their quiet neighbor, Glendon, who asked Monte to travel west with him to find Glendon’s estranged wife. Not knowing that Glendon was a former outlaw, Monte agreed to go. Within a day of their journey, Glendon’s past came back to haunt him – his presence alerted to a traveling policeman – and Monte must make a choice: help his fugitive friend make peace with his past, or turn around and go home. Striking out from his usual “safe” personality, Monte chose to accompany his friend, trying to stay one step ahead of the law along the way.

While it was Glendon’s quest for redemption, I quickly learned that it was Monte’s quest too: a quest to become a better person, enjoy his literary success and make peace with his writer’s block. Monte’s journey was deeply personal – he was a character I could root for, despite his mistakes.

Along their journey, the gentlemen meet interesting characters and landmarks. Enger drew real-life men all facing decisions that would forever alter their lives. Mix in a Wild West that was becoming less wild, and you have a wonderful juxtaposition of how things were and are.

Beautifully written, So Brave, Young and Handsome would be perfect for a book discussion. Even the title alone could be a 10-minute discussion. Enger’s themes, characters and descriptions made this novel unforgettable and enjoyable. I would recommend this book to anyone who looks for these elements in their reading. ( )

Haunting Bombay by Shilpa Agarwal

Soho, 2009

Rating: (Very Good +)

You can learn more about Shilpa Agarwal and her book Haunting Bombay on her website.

Disclosure:  Review copy provided by the publisher.

The Heretic’s Daughter
By Kathleen Kent
Completed October 16, 2009

There are many dark points in American history, and one of the earliest was the Salem Witch Trials. Kathleen Kent, author of The Heretic’s Daughter, based her debut book on her ancestor, Martha Carrier, who was executed for witchcraft. Kent researched extensively her ancestry and this time period, and the end result was a book that was gripping and heart wrenching.

The story was told from the perspective of Sarah Carrier, Martha’s daughter. Through Sarah’s eyes, we learned about the Puritan lifestyle that formed the backdrop for the witch trials. It’s amazing to look back at the “evidence” now – the obvious shenanigans of young girls who grasped their moment of power, despite the horrid outcomes. Though all of those accused were later cleared of their crimes (often posthumously), Kent’s explanation of how reasonable people were swept up into the hysteria was enlightening.

All of the characters in The Heretic’s Daughter were well developed. Sarah misunderstood the love of her mother, who seemed hard and unaffectionate, until the weeks before her execution, when she realized that Martha’s love for her family was endless. Sarah’s father, Thomas, and her brothers were depicted as stoic yet vulnerable. The Carrier family was a pleasure to read about – complete with their faults, strengths and boundless love for each other.

If you are interested in historical fiction, then I would highly recommend The Heretic’s Daughter to you. I enjoyed this book immensely and gained a deeper appreciation for this tragic time of our history. ( )

The Physick Book of Deliverance Dane
By Katherine Howe
Completed OCtober 6, 2009

The Physick Book of Deliverance Dane by Katherine Howe examined an alternate view of witchcraft in colonial New England. The story was based on “cunning women,” who used magic, herbs and prayer to heal people. While an interesting premise, this story didn’t fit together as well as it should.

The main character of the book is Connie Goodwin, a Ph.D. candidate at Harvard, who agreed to help her mother with the cleaning of their family home in Marblehead, Massachusetts. Always looking for research ideas, Connie stumbled upon a key and a name – Deliverance Dane – that piqued her interest. Through her research, she discovered that Deliverance was executed during the Salem Witch Trials, but there was no record of her. Additionally, Deliverance had bequeathed a recipe book to her daughter, which could be a valuable primary source for Connie’s dissertation. And so the search for the book began.

I enjoyed Connie’s historical research – her methodology, approach and goals. I too have a graduate degree in history, and Howe accurately described the research process, graduate school and demanding professors. However, I felt most of the novel was predictable, forced and somewhat contrived. I rolled my eyes at the evil mentor (Dan Brown already did that); the coincidental meeting of a handsome preservation expert who became Connie’s love interest; the young heroine alone in a creepy house. Does all of this sound familiar? It should – and Howe didn’t do much to innovate these old themes.

Overall, The Physick Book of Deliverance Dane was beneficial because of its historical study of colonial women and witchcraft. It’s a shame that the rest of the story fell flat for me. ( )

“It’s your turn,” Alexander said. When our mother didn’t respond, he repeated, “Mother, it’s your turn.”

But she wasn’t listening. Her face was turned in the direction of the sea, where the lighthouse of our ancestors had been built on the island of Pharos to the east. We were the greatest family in the world, and could trace or lineage all the way back to Alexander of Macedon. If our father’s battle against Octavian went well, the Ptolemies might rule for anotehr three hundred years. But it his losses continued…. – from Cleopatra’s Daughter, page 1 -

Anyone familiar with Egyptian history knows the story of  Marc Antony and Cleopatra – their romance and rule,  and their tragic fall in 30 BC when Octavian (aided by Marcus Agrippa) defeated Antony at the sea battle of Actium. But few readers are as familiar with the story which followed Antony and Cleopatra’s suicides…that of the life of their twins Alexander and Selene who were only ten years old when they were taken as captives to Rome. Michelle Moran’s latest historical novel, narrated by the young Selene, begins on the fateful day when Octavian marched into Alexandria and claimed it as his own. Beautiful Selene must brave an ocean crossing to Rome and readjust to a life in the home of Octavia – sister to Emperor Octavian who at one time was the wife of  Selene’s father Marc Antony until he abandoned her to marry Cleopatra.  Quickly, Moran sets the stage – introducing such historical characters as Livia (Ocatavian’s jealous wife), Marcellus (Octavia’s son who is in line to be the next Emperor), Juba (Octavian’s devoted aide), and Tiberius (Livia’s son). Moran’s novel is filled with the extraordinary architecture of Egypt and Rome, and brings to life the excitement and horror of Roman life beneath the rule of Octavian through the eyes of Selene.

Michelle Moran is fast becoming a favorite historical novelist for me. Her ability to breathe life into historical characters and transport the reader to another time  is captivating. Moran’s research is impeccable and in Cleopatra’s Daughter, the reader is treated to stunning descriptions of the buildings which were constructed, the details of the clothing of the time, and even the tension of Rome’s corrupt justice system.

We watched the soldiers escort the girl from the platform, and the eyes of the man in fur watched her hotly. She avoided his gaze, looking instead at the weeping woman still standing in the rain. Her mother, I thought sadly. Next to the woman a broad-shouldered centurion placed his hand on his heart in a silent promise. The girl seemed to tremble, then her legs gave way beneath her.

“Tullia!” the man shouted, and I was sure he was her father.

The soldiers lifted her swiftly back onto her feet, and the centurion spun around to the fat man in his furs. “I will kill you!” Her father lunged, but several soldiers moved quickly to stop him.

“Let the judices decide!” Tullia’s lawyer pleaded.

“He’s paid them off!” the father accused. “Even her lawyer knows that heir pockets are filled with this maggot’s gold!” – from Cleopatra’s Daughter, page 335 -

Moran provides an historical time line as well as a  list of characters and a detailed map of Rome to help orient her readers. Her website is also a wonderful resource (especially the interactive map). But readers will find that Moran’s prose needs no explanation. Written with authority in clear, uncomplicated language Cleopatra’s Daughter is an imaginative, beautifully constructed work which fully captures the tumultuous rule of Octavian.

Cleopatra’s Daughter is classified as a cross over between adult fiction and young adult fiction. It is certainly a coming of age tale and will appeal to young adults on that level. But it is also an intricately written story of ancient Rome…one that will captivate adult readers as well. As with Michelle Moran’s previous books, Cleopatra’s Daughter is highly recommended for readers who love historical fiction.

Miss Skeeter move her eyes back to the window, on Miss Hilly’s Buick. She shake her head, just a little. “Aibileen, that talk in there…Hilly’s talk. I mean…”

I pick up a coffee cup, start drying it real good with my cloth.

“Do you ever wish you could…change things?” she asks.

And I can’t help myself. I look at her head on. Cause that’s one a the stupidest questions I ever heard. She got a confused, disgusted look on her face, like she done salted her coffee instead a sugared it. – from The Help, page 10 -

The year is 1962. The place is Jackson, Mississippi. The issue is civil rights. Kathryn Stockett’s best selling debut novel, The Help, is narrated in the unforgettable voices of three women caught up in history and courageous enough to believe things can change simply by sharing their stories.

Skeeter is the white daughter of a cotton farmer. Despite her mother’s wish that she marry a prominent man and become a good Southern wife, Skeeter dreams of a different life for herself – that of a journalist and novelist. Unlike her closest friends, Skeeter doesn’t understand the division between whites and blacks – least of all the hypocrisy of having black women care for their homes and children, but denying them the use of their bathrooms because of fear of “disease.”

Aibileen is the black maid of one of Skeeter’s best friends, Elizabeth. Large, loving and sensitive, Aibileen mourns the loss of her son while wrapping her arms and heart around the white children in her care. Skeeter offers her hope of change – that this new generation might somehow see the racism of their parents and teachers and reject it.

Minny, anther black maid who must face the untrue accusation that she is a thief, is filled with energy, honesty and anger. Her unflagging spirit and kind heart lift her above an abusive marriage and give her the courage to join Aibileen and Skeeter in a project which will shake the racist foundation of a town whose views of segregation have stood fast for far too long.

A Dreft commercial comes on and Miss Celia stares out the back window at the colored man raking up the leaves. She’s got so many azalea bushes, her yard’s going to look like Gone With the Wind come spring. I don’t like azaleas and I sure didn’t like that movie, the way they made slavery look like a big happy tea party. If I’d played Mammy, I’d of told Scarlett to stick those green draperies up her white little pooper. Make her own damn man-catching dress. - from The Help, page 50 -

Thematically, The Help explores parenting, moral values, the many faces of racism, women’s friendships, and the power of joining our voices in a common cause. Skillfully crafted using three narrators in alternating chapters, The Help is a book which is hard to put down. Stockett is a talented storyteller who takes her time in fleshing out her fascinating and complex characters. I found myself growing to care immensely about Aibileen, Minny, and Skeeter. I worried about them, found myself cheering them on, and hoped for a positive resolution of their conflicts. There were moments when I had to remind myself that these were fictional characters, not real people. Perhaps it was the power of their stories, the reminder that less than 50 years ago what they were experiencing was part of our historical record, but Stockett’s characters came alive for me. I felt their fears, their joys, their hurts and triumphs. There are very few books which follow me into my dreams – but The Help was one of these. I went to sleep thinking of the book, and woke up wondering what would happen next in the story.

Kathryn Stockett has written an important novel about what it means to be human regardless of the color of one’s skin. Sensitive, disturbing, and ultimately hopeful, The Help is a must read book.

Highly recommended.